Bad Betty Scaricare Film

Bad Sister is a 1931 American pre-Code drama film directed by Hobart Henley. The screenplay by Edwin H. Knopf, Tom Reed, and Raymond L. Schrock is based on the 1913 novel The Flirt by Booth Tarkington, which had been filmed in 1916 and 1922.

The film marks the screen debuts of both Bette Davis and Sidney Fox (who was billed over Davis). The cast also includes Humphrey Bogart and ZaSu Pitts in supporting roles. Bad Sister has been preserved in the Library of Congress collection.[1][2]

\"Americanese\" is the second feature I've seen by Eric Byler, who has a quiet confidence not only about film but about life. Byler deals with characters who have lived their years, learned from them, and try to apply their values to their lives. Their romances are not heedless but wary, and involve a lot of negotiation. Listen to Betty calmly tell Raymond, after their first date: \"We can be friends, or we can be something more.\" The choice is theirs. But they must make it, and with their eyes wide open. And they have to start out knowing that.

The film centers on the performance of Chris Tashima, handsome but not thinking about it, playing an inward man whose view of race is not confrontational but observational. He wants to be a good man, and the breakup with Aurora hurts. He senses in the Vietnamese woman Betty another kind of gulf: She accepts her Asian identity, all right, but when she looks at him she sees not an Asian but an Asian-American, more American than Asian. This is true. \"I don't read Chinese,\" Raymond casually reminds his father, Wood (Sab Shimono). He's startled when his dad, a widower, announces plans to go to China and find a wife. Just like that Why not To Raymond, marriage is a mine field of emotional and intellectual challenges. To his dad, it's a necessity: \"It's not good to live without a wife.\"

Kung Pow! Enter the Fist is a 2002 American martial arts comedy film that parodies Hong Kong action cinema. Written, directed by and starring Steve Oedekerk, it uses footage from the 1976 Hong Kong martial arts film Tiger & Crane Fists (also called Savage Killers), along with new footage shot by Oedekerk, to create an original, unrelated plot.

In many scenes, Jimmy Wang Yu, the lead actor in Tiger & Crane Fists, was replaced by Oedekerk via post-production chroma key and digital compositing techniques such as head replacement. Oedekerk also re-dubbed all of the original cast's voices himself, inventing a different voice for every character. The only exception is the character of \"Whoa\", who was voiced by her actress, Jennifer Tung. During filming of their scenes, Oedekerk and Tung spoke nonsensical lines, which were later re-dubbed with the correct lines from the script, in order to maintain the appearance of poorly-dubbed foreign language consistent with the rest of the film.

Review aggregator website Rotten Tomatoes reports an approval rating of 13% based on 55 reviews, with an average rating of 3.5/10. The site's critics' consensus reads: \"A short sketch's worth of jokes stretched into a full-length feature.\"[3] Metacritic reports an average score of 14 out of 100 based on 14 critics, indicating \"overwhelming dislike\".[4] At the 2002 Stinkers Bad Movie Awards, the film was nominated for Worst Picture and tied with The Master of Disguise for a win for Most Painfully Unfunny Comedy.[5]

In a livestream on March 27, 2022, Oedekerk has stated that, while his original plan was for there to be a Kung Pow trilogy, discussions to make a sequel with 20th Century Studios have not worked out. He also stated that he has thought of making a spiritual successor to the film using Spaghetti Westerns and/or Sword-and-sandal films.[6]

NPT is an edgy nonprofit theatre that works with Broadway, film and TV pros onstage and off to promote our mission of creating young leaders, global thinkers and problem solvers through arts education and productions. There is a mixture of professional (AEA) and local adult performers, as well as inner city youth and lower Fairfield youth in our productions. We also promote another community nonprofit that reflects the theme of each show.

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